Great Moments in Cinema
3:59
A movie made 30 years ago that perfectly describes the situation today about television, news, and the main stream media. It resonates louder and sounds truer today that it did when the movie was made.
A movie made 30 years ago that perfectly describes the situation today about television, news, and the main stream media. It resonates louder and sounds truer today that it did when the movie was made.
10:52
*/ To see the high quality version, add '&fmt=18' behind the url. Minus the quotations /* Bullitt is a 1968 thriller film starring Steve McQueen. It was distributed by Warner Bros. The director was Peter Yates. The story was adapted for the screen by Alan Trustman and Harry Kleiner, based on the novel titled Mute Witness (1963) by Robert L. Fish (aka Robert L. Pike). Lalo Schifrin wrote the original music score, a memorable mix of jazz, brass and percussion. The movie won the Academy Award for Best Film Editing (Frank P. Keller) and was nominated for Best Sound. Writers Trustman and Kleiner won a 1969 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay. Bullitt is most-remembered for its central car chase scene through the streets of downtown San Francisco, one of the earliest and most influential car chase sequences in movie history.[1] The scene had Bullitt in a dark "Highland Green" 1968 Ford Mustang G.T.390 Fastback, chasing two hit-men in a "Tuxedo Black" 1968 Dodge Charger R/T 440 Magnum. (In honor of the Mustang in the film, the Ford Motor Company produced a limited edition 2001 Ford Mustang GT "Bullitt Mustang," which took styling cues from the '68 movie car and even mimicked its exhaust note).
*/ To see the high quality version, add '&fmt=18' behind the url. Minus the quotations /* Bullitt is a 1968 thriller film starring Steve McQueen. It was distributed by Warner Bros. The director was Peter Yates. The story was adapted for the screen by Alan Trustman and Harry Kleiner, based on the novel titled Mute Witness (1963) by Robert L. Fish (aka Robert L. Pike). Lalo Schifrin wrote the original music score, a memorable mix of jazz, brass and percussion. The movie won the Academy Award for Best Film Editing (Frank P. Keller) and was nominated for Best Sound. Writers Trustman and Kleiner won a 1969 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay. Bullitt is most-remembered for its central car chase scene through the streets of downtown San Francisco, one of the earliest and most influential car chase sequences in movie history.[1] The scene had Bullitt in a dark "Highland Green" 1968 Ford Mustang G.T.390 Fastback, chasing two hit-men in a "Tuxedo Black" 1968 Dodge Charger R/T 440 Magnum. (In honor of the Mustang in the film, the Ford Motor Company produced a limited edition 2001 Ford Mustang GT "Bullitt Mustang," which took styling cues from the '68 movie car and even mimicked its exhaust note).
2:17
Outstanding 1973 crime flick from Don Siegel starring Walter Matthau, Joe Don Baker, Andrew Robinson, Norman Fell and John Vernon!
Outstanding 1973 crime flick from Don Siegel starring Walter Matthau, Joe Don Baker, Andrew Robinson, Norman Fell and John Vernon!
2:54
This is the first part of my re-edit of Steven Spielberg's DUEL from a feature to a 12 minute short. I produced this for a class I teach on advanced production techniques (i.e., for educational purposes). Don't forget to watch Part Two.
This is the first part of my re-edit of Steven Spielberg's DUEL from a feature to a 12 minute short. I produced this for a class I teach on advanced production techniques (i.e., for educational purposes). Don't forget to watch Part Two.
8:59
This is the second part of my re-edit of Steven Spielberg's DUEL from a feature to a 12 minute short. I produced this for a class I teach on advanced production techniques (i.e., for educational purposes). Don't forget to start by watching Part One.
This is the second part of my re-edit of Steven Spielberg's DUEL from a feature to a 12 minute short. I produced this for a class I teach on advanced production techniques (i.e., for educational purposes). Don't forget to start by watching Part One.
5:02
The glory of the slums of the English language when David Mamet is in the pilot seat. I WISH I could take credit for this, but another party is responsible. I am merely the messenger :).
The glory of the slums of the English language when David Mamet is in the pilot seat. I WISH I could take credit for this, but another party is responsible. I am merely the messenger :).
7:22
In Glengarry Glen Ross, Alec Baldwin plays the character Blake, almost earning Baldwin an Oscar for the role. The salestalk presented is one of the finest ever, allthough sarcastic, it contains the foundations of a well meditated salesmen.
In Glengarry Glen Ross, Alec Baldwin plays the character Blake, almost earning Baldwin an Oscar for the role. The salestalk presented is one of the finest ever, allthough sarcastic, it contains the foundations of a well meditated salesmen.
3:54
Mix of all the marching sceens from Full Metal Jacket with cadences from Full Metal Jacket. Hope you like it.
Mix of all the marching sceens from Full Metal Jacket with cadences from Full Metal Jacket. Hope you like it.
3:02
The original trailer for Mad Max: the first and best film in the trilogy. The Interceptor. The surreal camera-work. Falcons and Kawasakis. An oil-dependant world gone mad...
The original trailer for Mad Max: the first and best film in the trilogy. The Interceptor. The surreal camera-work. Falcons and Kawasakis. An oil-dependant world gone mad...
8:56
Film Four's exclusive interview with De Niro shown as part of the channel's De Niro season from February to March 2007. Famously interivew shy, and especially reticent about his past work, in this exclusive De Niro agrees to talk about three of his most iconic roles: Taxi Driver, the Deer Hunter, and Once Upon a Time in America.
Film Four's exclusive interview with De Niro shown as part of the channel's De Niro season from February to March 2007. Famously interivew shy, and especially reticent about his past work, in this exclusive De Niro agrees to talk about three of his most iconic roles: Taxi Driver, the Deer Hunter, and Once Upon a Time in America.
2:29
This is a fan based trailer I created myself for the awesome Mike Leigh film. The music is taken from Valve's stunning video game "Half-Life 2"
This is a fan based trailer I created myself for the awesome Mike Leigh film. The music is taken from Valve's stunning video game "Half-Life 2"
2:29
The original trailer for Monte Hellman's 1971 muscle car pic starring James Taylor, Warren Oates and Harry Dean Stanton.
The original trailer for Monte Hellman's 1971 muscle car pic starring James Taylor, Warren Oates and Harry Dean Stanton.
9:26
O Lucky Man! (1973) is a surreal British film, intended as an allegory on life in a capitalist society. Directed by Lindsay Anderson, it stars Malcolm McDowell. McDowell progresses from coffee salesman (working for sleazy boss Mr Duff) to personal assistant to Sir James Burgess, an evil mastermind. During his journey, Travis learns the amoral lesson, reinforced by numerous songs in the soundtrack by Alan Price, that he must abandon his principles in order to succeed, but unlike the other characters he meets he must retain a detached idealism that will allow him to distance himself from the evils of the world: a fact which causes the film to often be considered a reappropriation of Candide by Voltaire. As one of the film's songs says: Smile while you're makin' it. Laugh while you're takin' it. Even though you're fakin' it. Nobody's gonna know. In parallel with Travis' experiences, the film shows 1960s Britain retreating from its imperial past but managing to retain some influence in the world by means of corrupt dealings with foreign dictators. The film originally began as a script written by McDowell about his experiences as a coffee salesman in his late teens and early 20s. The final scene of the film shows him becoming involved in a casting call for a film, with Lindsay Anderson himself playing the director of the film. He is given various props to handle, including a stack of school books and a machine gun. When asked to smile Mick continually asks why. The director slaps Travis with his script book after he fails to understand what is being asked of him. After a cut to black (a device used throughout the film) a slow look of understanding crosses Mick's face. The scene then cuts to a party with dancing which includes all of the cast celebrating.
O Lucky Man! (1973) is a surreal British film, intended as an allegory on life in a capitalist society. Directed by Lindsay Anderson, it stars Malcolm McDowell. McDowell progresses from coffee salesman (working for sleazy boss Mr Duff) to personal assistant to Sir James Burgess, an evil mastermind. During his journey, Travis learns the amoral lesson, reinforced by numerous songs in the soundtrack by Alan Price, that he must abandon his principles in order to succeed, but unlike the other characters he meets he must retain a detached idealism that will allow him to distance himself from the evils of the world: a fact which causes the film to often be considered a reappropriation of Candide by Voltaire. As one of the film's songs says: Smile while you're makin' it. Laugh while you're takin' it. Even though you're fakin' it. Nobody's gonna know. In parallel with Travis' experiences, the film shows 1960s Britain retreating from its imperial past but managing to retain some influence in the world by means of corrupt dealings with foreign dictators. The film originally began as a script written by McDowell about his experiences as a coffee salesman in his late teens and early 20s. The final scene of the film shows him becoming involved in a casting call for a film, with Lindsay Anderson himself playing the director of the film. He is given various props to handle, including a stack of school books and a machine gun. When asked to smile Mick continually asks why. The director slaps Travis with his script book after he fails to understand what is being asked of him. After a cut to black (a device used throughout the film) a slow look of understanding crosses Mick's face. The scene then cuts to a party with dancing which includes all of the cast celebrating.
3:55
From the movie Goodfellas http://www.imdb.com/title/tt0099685/
From the movie Goodfellas http://www.imdb.com/title/tt0099685/
9:51
Highlights from the crazy interactions between the two most memorable characters on the Sopranos.
Highlights from the crazy interactions between the two most memorable characters on the Sopranos.
2:21
Scene of Full Metal Jacket movie. (Cena original do filme Nascido Para Matar)
Scene of Full Metal Jacket movie. (Cena original do filme Nascido Para Matar)
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Jukebox
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